Nikon D610 digital camera. Nikon D610 – full frame for everyone Ergonomic design, optical viewfinder and LCD display

In addition, the Nikon D610 body is perfectly protected from moisture and dust. The location of all rubber gaskets is the same as in the D600. You shouldn’t test the camera’s water resistance in a swimming pool, but you can safely shoot in rain and snow. Just don’t forget that the lens must also have the appropriate degree of protection - not all “glasses” in the Nikon collection can boast of this.

Display, viewfinder, interface

The additional display pleases not only with a pleasant green backlight, but also with information content. In this parameter, it surpasses the similar screen in Canon cameras.

The software interface will not be a novelty, perhaps, for anyone who has ever held any Nikon DSLR. The menu moved unchanged from the Nikon D600, and there was simply no reason for changes. Here we have six main sections - the viewing mode menu, photo and video shooting mode settings, a set of user settings, a general settings menu, an image processing menu and a custom user menu. The menu items are also provided with fairly detailed tips, and the Russification is one of the most literate and understandable.

In addition, the Nikon D610 body is perfectly protected from moisture and dust. The location of all rubber gaskets is the same as in the D600. You shouldn’t test the camera’s water resistance in a swimming pool, but you can safely shoot in rain and snow. Just don’t forget that the lens must also have the appropriate degree of protection - not all “glasses” in the Nikon collection can boast of this.

Display, viewfinder, interface

The additional display pleases not only with a pleasant green backlight, but also with information content. In this parameter, it surpasses the similar screen in Canon cameras.

The software interface will probably not be new to anyone who has ever held any Nikon DSLR in their hands. The menu moved unchanged from the Nikon D600, and there was simply no reason for changes. Here we have six main sections - the viewing mode menu, photo and video shooting mode settings, a set of user settings, a general settings menu, an image processing menu and a custom user menu. The menu items are also provided with fairly detailed tips, and the Russification is one of the most literate and understandable.

Backed by professional Nikon technologies, this powerful DSLR delivers image quality only possible with FX format.

The 24.3-megapixel FX-format sensor captures every detail with true-to-life sharpness, allowing you to capture stunning photos with rich colors and create smooth Full HD videos. You can capture motion at up to six frames per second, and new mode Continuous Shooting Nikon's Quiet Shutter delivers virtually silent shooting - ideal for wildlife photography.

24.3 megapixel FX format CMOS sensor

Capture images with pinpoint detail, smooth color gradations, and low noise at high ISO sensitivities at all angles, from ultra-wide to ultra-telephoto.

Silent Shutter Burst Mode

Ideal for photographing wildlife, this mode significantly reduces the noise generated by the camera's mirror return mechanism during continuous shooting, allowing you to get closer to your subject without being noticed.

Continuous shooting at 6fps

Capture sharp shots of fast-moving subjects at six frames per second in FX and DX formats.

Built-in High Dynamic Range (HDR) photography capabilities

Capture images with low noise and a wide range of tones, with high contrast between bright and dark areas.

Superior performance in low light

Sensitivities ranging from ISO 100-6400, which can be increased to the equivalent of ISO 25600, produce highly detailed images with minimal noise, even when shooting in low-light conditions.

D-video with multiple zones

Record Full HD (1080p) videos at 30p, 25p and 24p resolutions in FX and DX formats. Provides uncompressed HDMI output to external devices and monitors audio with high-fidelity transmission.

Wireless transmission: Instantly share images or control your camera remotely using your smartphone or tablet and the optional camera adapter. wireless connection WU-1b made by Nikon.*

High sensitivity autofocus: Enjoy exceptional subject capture with a 39-point AF system with Multi-CAM4800 AF sensor module. The D610 is compatible with lenses with a combined aperture of up to f/8, which, combined with sensitivity down to -1 EV, allows for sharp images even under full moonlight.

Image processing system EXPEED 3 with 14-bit A/D conversion and 16-bit image processing helps produce stunning color tones.

Scene recognition system: The camera's sensor and its 2,016-pixel RGB sensor provide precise data to the Scene Recognition system, which optimizes exposure, autofocus and white balance just before you press the shutter button for sharp images.

Built-in time-lapse video function: Capture time-lapse movies with simple menu operations without complex calculations or editing. Use time lapse photography to release the shutter at preset intervals. Use time-lapse video to save images as movie files and watch slow motion in fast forward mode at 24 to 36,000 times faster speed.

Using modes Picture Control You can change the look of your photos and videos by fine-tuning settings like sharpness, saturation, and hue before shooting.

Bright 8cm VGA LCD monitor with approx. 921 thousand points and automatic monitor brightness control. View bright, clear images with rich color reproduction.

High quality viewfinder with almost 100% frame coverage and 0.7x magnification. There is a DX crop mode with markings in the viewfinder.

Reliability and light weight: Built to withstand harsh environments, this camera features a magnesium alloy top and back cover and weighs just 760g (without battery). Sealing class is the same as that of a professional digital SLR Nikon cameras D800, protected against moisture and dust.

Biaxial electronic virtual horizon: Using the LCD monitor or viewfinder, you can check both the camera's position relative to the horizontal plane and its angle of inclination relative to the lateral axis (tilt forward or backward).

Dual SD card slots: Dual SD memory card slots provide more flexibility when shooting. When the first memory card is full, you can use the second one. You can also record photos on one memory card and videos on another. Compatible with SDXC and UHS-I memory cards.


* Compatible with smart devices running Android™ and iOS™ OS. You must use the dedicated Wireless Mobile Utility app, which can be downloaded to your smart device for free from the Google Play™ and Apple App Store™ websites. Android, Google, Google Play, YouTube and other marks are trademarks Google Corporation.

Those. characteristics

    Digital SLR camera

    • Lens mount

      Nikon F mount (with AF interface and AF contacts)

    • Effective angle of view

      Nikon FX format

    • Effective number of pixels

    • 35.9 x 24.0 mm CMOS sensor

    • Total number of pixels

    • Dust removal system

      Sensor cleaning function, dust removal reference data (additional Capture NX-D software required)

    • Image size (pixels)

      Image area FX (36x24) 6016 x 4016 (L), 4512 x 3008 (M), 3008 x 2008 (S). Image area DX (24x16) 3936 x 2624 (L), 2944 x 1968 (M), 1968 x 1312 (S). FX-format photos taken in movie live view: 6016 x 3376 (L), 4512 x 2528 (M), 3008 x 1688 (S). DX-format photos taken in movie live view: 3936 x 2224 (L), 2944 x 1664 (M), 1968 x 1112 (S)

    • Data storage - file format

      NEF (RAW): 12- or 14-bit, conventional or lossless compressed. JPEG: JPEG-Baseline Compliant; Compression levels available include Fine (approx. 1:4), Normal (approx. 1:8), or Basic (approx. 1:16) (Size Priority) as well as Optimal compression. quality". NEF (RAW) + JPEG: One photo recorded in both NEF (RAW) and JPEG formats

    • Picture Control System

      Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; ability to change the selected Picture Control and save custom Picture Controls

    • Storage media

      SDHC and SDXC memory cards compatible with SD (Secure Digital) and UHS-I

    • Dual memory card slots

      Slot 2 can be used in case of overflow, for backup, or for separate storage of copies created in NEF and JPEG simultaneous shooting mode; It is possible to copy pictures from one card to another.

    • File system

      Formats DCF 2.0 (Design Rule for Camera File System), DPOF (Digital Print Order Format), EXIF ​​2.3 (compatible image file format for digital cameras), PictBridge

    • Viewfinder

      Mirror direct viewfinder with pentaprism

    • Frame coating

      FX (36x24): Approx. 100% horizontal and 100% vertical. DX (24x16): approx. 97% horizontal and 97% vertical

    • Increase

      Approx. 0.7x (50mm f/1.4 lens focused at infinity; correction -1.0 m-1)

    • Viewfinder focal point

      21 mm (-1.0 m-1; from the center surface of the viewfinder eyepiece lens)

    • Diopter adjustment

    • Focusing screen

      BriteView VIII Type B matte screen with AF area focusing frames (framing grid display possible)

    • Quick return type

    • Depth of field preview

      Pressing the depth-of-field preview button sets the lens aperture to the value selected by the user (modes A and M) or the camera (other modes).

    • Lens aperture

      Instantaneous return type with electronic control

    • Compatible Lenses

      Compatible with AF NIKKOR lenses, including G, E and D lenses (some restrictions apply to PC lenses), DX lenses (using DX 24 x 16 1.5x image area), AI-P NIKKOR lenses and non-CPU AI lenses ( exposure modes A and M only). IX NIKKOR lenses, F3AF lenses and non-AI lenses cannot be used. The electronic rangefinder can be used with lenses with a maximum aperture of f/8 or faster (the electronic rangefinder supports 7 center focus points with lenses with a maximum aperture of f/8 or faster and 33 center focus points with lenses with a maximum aperture of f/6.8 or faster) .

    • Shutter type

      Electronically controlled shutter with vertical stroke

    • Excerpt

      1/4000 to 30 seconds in 1/3 or 1/2 EV steps, Bulb, Long Shutter (requires optional ML-L3 Remote Controller), X200

    • Sync Speed

      X = 1/200 s; Shutter sync at shutter speeds of 1/250 sec. or slower (flash shooting distance decreases at shutter speeds between 1/250 sec. and 1/200 sec.)

    • Shooting modes

      Single frame, Continuous low speed, Continuous high speed, Quiet shutter, Quiet continuous shutter, Self-timer, Remote control, Mirror up

    • Shooting speed

      1-5 fps (continuous low speed shooting), 6 fps (continuous high speed shooting) or 3 fps (quiet continuous shutter)

    • Self-timer

      2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at 0.5, 1, 2 or 3 s intervals

    • Remote shooting modes

      Delayed release, quick release, mirror up

    • Exposure metering

      TTL exposure metering with 2016-pixel RGB sensor

    • Exposure metering method

      Matrix: 3D color matrix metering II (lens types G, E and D); color matrix metering II (other lenses with built-in microprocessor); color matrix metering (available with non-CPU lenses if lens parameters are specified in the camera settings). Center-weighted: 75% of measurements are taken from a 12mm circle in the center of the frame. You can change the diameter of the circle to 8, 15 or 20mm in the center of the frame, or apply weighted averaging across the entire frame (non-CPU lenses use a 12mm circle or average across the entire frame area). Spot: Meters a 4mm circle (about 1.5% of the frame) centered on the selected focus point (center focus point if using a non-CPU lens).

    • Range (ISO 100, f/1.4 lens, 20°C)

      Matrix or center-weighted exposure metering: 0 to 20 EV. Spot metering: 2 to 20 EV

    • Pairing with an exposure meter

      Combined with microprocessor and AI

  • Automatic modes (auto, auto (flash off)); Scene modes (Portrait, Landscape, Child, Sports, Macro, Night portrait, Night landscape, Party/Indoor, Beach/Snow, Sunset, Dusk/Dawn, Pet Portrait, Candlelight, Bloom, Fall Colors, Food, Silhouette, High Key, Low Key); program auto mode with flexible program (P); shutter-priority auto mode (S); aperture-priority auto (A); manual (M); U1 (user settings 1); U2 (User Settings 2)

    • Exposure compensation

      Adjustable from -5 to +5 EV in 1/3 or 1/2 EV increments in P, S, A and M modes

    • Exposure bracketing

    • Flash bracketing

      2 to 3 frames in increments of 1/3, 1/2, 2/3, 1, 2 or 3 EV

    • White balance bracketing

      2 to 3 frames in increments of 1, 2 or 3

    • Active D-Lighting Bracketing

      2 frames using the selected value for one frame or 3 frames using preset values ​​for all frames

    • Exposure lock

      Illumination is locked at the measured value using the AE-L/AF-L button (AE-B/AF-B)

    • ISO sensitivity

      ISO 100–6400 in 1/3 or 1/2 EV increments. You can also set a value to approximately 0.3, 0.5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100, or a value of approximately 0.3, 0.5, 0.7, 1, or 2 EV ( equivalent to ISO 25600) above ISO 6400; It is possible to automatically control ISO sensitivity

    • Active D-Lighting

      Auto, Super High, High, Normal, Moderate, Off

    • Autofocus

      Nikon Multi-CAM 4800 AF sensor module with TTL phase detection, fine adjustment, 39 focus points (including 9 cross-type sensors; 33 center points available at apertures below f/5.6 and above f/8; 7 center focus points available at f/8) and AF-assist illuminator (range approximately 0.5 to 3 m)

    • Response range

      -1 to +19 EV (ISO 100 at 20°C)

    • Lens drive

      Autofocus (AF): single-servo AF (AF-S); continuous-servo AF (AF-C); automatic mode selection AF-S/AF-C (AF-A); Predictive focus tracking that turns on automatically when you autofocus on a subject. Manual Focus (M): Option to use electronic rangefinder

    • Focus points

      Choose from 39 or 11 focus points

    • AF area mode

      Single-point AF; 9-, 21-, or 39-point dynamic AF, 3D tracking, auto-area AF

    • Focus lock

      Focus is locked by pressing the shutter-release button halfway (single-servo AF) or by pressing the AE-L/AF-L button.

    • Built-in flash

      Auto, Portrait, Child, Macro, Night Portrait, Party/Indoor, Pet Portrait: Auto flash with auto pop-up. Modes P, S, A, M, Food: manually opened when the button is released

    • Guide number

      Approx. 12, 12 in manual flash mode (m, ISO 100, 20 °C)

    • Flash control

      TTL: i-TTL flash control via 2016-pixel RGB sensor, available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, SB-400 or SB-300 flashes; i-TTL balanced fill-flash for digital SLRs is used for matrix and center-weighted metering, standard i-TTL flash for digital SLRs is used for spot metering.

    • Flash mode

      Auto; automatic mode with red-eye reduction; automatic slow sync; automatic slow sync with red-eye reduction; fill flash; red-eye reduction; slow sync; slow sync with red-eye reduction; slow rear curtain sync; rear curtain sync; off; Automatic FP high-speed sync supported

    • Flash correction

      -3 to +1 EV in 1/3 or 1/2 EV increments

    • Flash-ready indicator

      Lights up when the built-in or optional flash is fully charged; flashes after the flash fires at full power

    • Accessory Shoe

      ISO 518 hot shoe with sync contact, data contact and safety lock

    • Nikon Creative Lighting System

      Advanced wireless flash is supported with the built-in flash, SB-910, SB-900, SB-800 or SB-700 as master flash and SB-600 or SB-R200 as slave flash, and SU-800 as flash unit ; The built-in flash can serve as a master flash in control mode. Automatic FP high-speed sync and modeling are supported with all CLS-compatible flashes except SB-400 and SB-300; Flash color temperature information transmission and flash output lock are supported with all CLS-compatible flashes

    • Synchro contact

      Synchro contact adapter AS-15 (sold separately)

    • White balance

      Auto (2 options), Incandescent, Fluorescent (7 options), Direct sunlight, Flash, Cloudy, Shade, Manual (can store up to 4 values), Selectable color temperature (2500-10,000K); fine tuning is available for all values

    • Live view modes

      Live view photography (photos); live view for videos (videos)

    • Live view - lens drive

      Autofocus (AF): single-servo AF (AF-S); full-time AF-servo (AF-F). Manual Focus (M)

    • Live view - AF area mode

      Face-priority AF, Wide-area AF, Normal-area AF, Subject-tracking AF

    • Live view - autofocus

      Contrast-detect AF anywhere in the frame (the camera selects the focus point automatically when Face-priority AF or Subject-tracking AF is selected)

    • Videos - Exposure Metering

      TTL exposure metering using main sensor

    • Videos - Exposure Metering Method

      Matrix

    • Videos - Frame Size (pixels) and Frame Rate

      1920 x 1080; 30 p (progressive), 25 p, 24 p. 1280 x 720; 60 p, 50 p, 30 p, 25 p. Actual video frame rates for 60p, 50p, 30p, 25p and 24p: 59.94, 50, 29.97, 25 and 23.976 fps respectively; High and medium image quality options are supported.

    • Videos - file format

    • Videos - compression

      H.264/MPEG-4 Advanced Video Coding

    • Videos - audio recording format

      Linear RSM

    • Videos - audio recording device

      Built-in monaural microphone or external stereo microphone; it is possible to adjust the sensitivity

    • Other options

      Index marking, time-lapse video

    • 8 cm TFT LCD monitor made of low temperature polysilicon, approx. 921k dots (VGA), 170° viewing angle, almost 100% frame coverage and automatic monitor brightness control using an ambient light sensor

    • View

      Full-frame and thumbnail playback (4, 9, or 72 images or calendar format) with playback zoom, movie playback, slide show (photos and/or movies), histogram display, highlights, photo information, GPS data display, and auto image rotation

  • High Speed ​​USB

    • HDMI mini connector (type C)

    • Accessory connector(s)

      Remote control cable: MC-DC2 (sold separately). GPS device: GP-1/GP-1A (sold separately)

    • Audio input

      Stereo minijack (3.5 mm diameter; supports plug-in power)

    • Audio output

    • Supported languages

      English, Arabic, Hungarian, Dutch, Greek, Danish, Indonesian, Italian, Spanish, Chinese (Simplified and Traditional), Korean, German, Norwegian, Polish, Portuguese (Portugal and Brazil), Romanian, Russian, Thai, Turkish, Ukrainian , Finnish, French, Hindi, Czech, Swedish, Japanese

    • Battery pack

      Universal Battery Pack MB-D14 (available separately) with one Nikon Rechargeable Li-ion Battery EN-EL15 or six AA Alkaline, NiMH or Lithium batteries

    • AC power supply

    • Tripod socket

      Diameter 1/4" (ISO 1222)

    • Dimensions (W x H x D)

      Approx. 141 x 113 x 82 mm

    • Working environment - temperature

    • Working environment - humidity

      No more than 85% (without condensation)

    • Accessories included

      Accessory Shoe Cover BS-1, Rubber Eyecup DK-21, Monitor Cover BM-14, Safety Cap BF-1B, Rechargeable Li-ion Battery EN-EL15 (with Protection Cover), Charger MH-25, Eyepiece Cover DK- 5, AN-DC10 strap, UC-E15 USB cable, CD with software ViewNX 2

    • Audio output

      Stereo mini jack (3.5 mm diameter)

    • Supported languages

      English, Arabic, Hungarian, Dutch, Greek, Danish, Indonesian, Italian, Spanish, Chinese (Simplified and Traditional), Korean, German, Norwegian, Polish, Portuguese (Portuguese and Brazilian), Romanian, Russian, Thai, Turkish, Ukrainian , Finnish, French, Hindi, Czech, Swedish, Japanese

    • Power supplies

    • One EN-EL15 rechargeable lithium-ion battery

    • Battery pack

      Universal Battery Pack MB-D14 (available separately) with one Nikon Rechargeable Li-ion Battery EN-EL15 or six AA Alkaline, NiMH, or Lithium batteries

    • AC power supply

      AC power supply EH-5b; Requires EP-5B power connector (sold separately)

    • Tripod socket

      Diameter 1/4" (ISO 1222)

    • Dimensions (W x H x D)

      Approx. 141 x 113 x 82 mm

  • Approx. 850 g with battery and memory card, but without protective cover; approx. 760 g (camera body only)

    D610 AF-S 24-85mm VR Kit

    Includes D610 camera body and compact universal AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lens. The lens in this kit features a wide range of focal lengths - from 24 to 85 mm, vibration reduction system to reduce the effects of camera shake, as well as fast and quiet autofocus.

    with interchangeable lenses, matrix 35.9 x 24 mm, 27.4 million pixels, video recording 1920 x 1080 pixels, 141x113x82 mm, 850 g

    Why does everyone love the Nikon D610 digital camera?

    This professional camera will appeal to both beginners and experienced photographers. With its help, you can take high-quality pictures and record decent videos.

    Image quality

    The 24.3 megapixel matrix maintains sharpness as accurately as possible and conveys rich colors. The camera is capable of shooting smooth videos in Full HD format. Capturing movement at speeds of up to 6 frames/s is now possible: this is especially important when filming competitions and other activities. The Quiet Shutter mode takes continuous shots almost silently, so animals and birds will not notice your presence.

    HDR

    High dynamic range photography is useful when the subject appears too contrasty. Bright and dark areas create noise that desired mode allows you to reduce.

    Performance

    The ISO value varies from 100 to 6400. If necessary, the upper limit can be increased to 25,600 units. This is done in low light conditions to get sharp and clear images.

    Possibilities

    Wireless transmission makes it possible to quickly send footage to a tablet, computer or smartphone. There are two slots for SD memory cards - use one for photos and the other for video.

    Exploitation

    The top and back covers are made of magnesium alloy. It can withstand harsh conditions of use. The tightness class protects the filling from the penetration of dust and moisture.

    A bad soldier is one who does not dream of becoming a general. This truth was written down many years ago and does not lose its relevance today. But among photographers there is a slightly different expression: “It’s impossible not to want a full frame.” But at the same time, the cost of a full frame did not allow every second person to buy such a carcass. In the camps of both Canonists and Nikonists, such cameras were intended for more professional use or for advanced enthusiasts, while it should be borne in mind that professional tools simply cannot be cheap.

    It’s scary to imagine how much time in total is spent in the world dreaming about a 36x24 frame.

    There were terrible legends about the full frame. It was rumored that anyone who picks up such a camera simply won’t be able to shoot with anything else, that there is a “Masterpiece” button, and every third photo taken with a full frame will be bought and printed by magazines such as National Geographics, Playboy and Esquire. Many even simply went to stores and held such carcasses in their hands in order to be imbued with the holy spirit of real creativity.

    But now camera manufacturers are breaking all boundaries and are starting to produce cameras that you will not only want, but can afford. And one of these is Nikon D610.

    Nikon D610 video review:

    Design and ergonomics

    Externally, the device most closely resembles the Nikon D600. Same controls, same ports. Go and check out his review.

    I was too lazy to describe all this, but angry Chief Editor said: “Work!” So you have to work.

    The base of the case is magnesium alloy, which protects the camera from external negative influences. A small amount of plastic is still present and can be seen on the front of the device. But at the same time, the solidity was not affected in any way - the carcass feels strong. It has dust and moisture protection, although its level is, of course, inferior to that of the D4 master, but you can shoot in light rain or snow without worrying. Even in ten-degree frost, all functions worked adequately for me, however, for this you need to prepare the camera in such a way.

    The case fits into your hand like a glove, does not slip and does not tend to fall out. On the front side there is a battery handle with a functional wheel for more comfortable grip and control, a canonical red stripe, and two functional buttons. One has a function for changing the frame format - switching between FX and DX. This is very convenient when you need to bring your subject closer, but the zoom is not enough. Or for a more convenient compositional frame. On the second one, I personally installed an aperture repeater in order to quickly and conveniently assess the depth of field.

    In the center there is a metal mount, and on the other side there is a lens release button, a lever for switching between automatic and manual focusing and a button for changing autofocus modes. Above, on the protruding prism block, there are keys for bracketing and opening the built-in flash. This is undoubtedly a plus, because all models of this class usually do not have a flash. Manufacturers believe that people using such a camera will use external lighting sources. This is partly true, but sometimes the built-in puff saves the day.

    On the left side, under rubber plugs, there are connectors for connecting external accessories - Mini USB, HDMI, a port for a GPS module, and a remote control. There are also connectors for an external microphone and headphones, so it’s now much easier to control the quality of sound recording.

    The right side still houses two SD card slots under a plastic cover. This solution will allow you to use twice as much memory and forget about worries about lack of space.

    The bottom edge is occupied by the battery compartment and tripod socket.

    At the top end everything is familiar. On the left are two wheels for switching modes, which are locked with buttons to protect against accidental rotations, while the lower one is responsible for selecting the shooting speed, mirror pre-raise, quiet mode, and the upper one is for selecting PASM, user saved modes and auto.

    On the right is a monochrome display for displaying information, a shutter button with a three-position on/off/backlight lever, video recording, exposure compensation and focus area selection keys. It is worth noting that to control the functions you need not only to press them, but also to hold them while turning the wheel.

    In the center above the bayonet mount is a hot shoe and a hidden built-in flash.

    The rear edge is given over to a non-rotating 3.2-inch VGA display. Viewing angles and color rendition evoke genuine delight and a desire to view pictures right at the shooting location.

    To the left of the display are five buttons: menu, color correction, setup information, zoom in and out. Almost all buttons have two functions. Thus, setting information can change the white balance, and zooming can change the image quality and ISO.

    To the right of the screen is an info button, Live View mode framed by a video or photo selection lever, a four-way joystick, an OK button, and a focus point lock lever. Above the screen there is a viewfinder with a proximity sensor and diopter adjustment, to the left of it is gallery viewing and deletion. On the right is AE-L/AF-L and the second mode dial.

    What's under the hood

    Behind the mirror is a 24 MP sensor measuring 36 x 24 mm. Classic narrow film format in digital form. The Expeed 3 processor is responsible for correct operation. This is absolutely enough to ensure the highest speed of operation and forget about any slowdowns or speed problems.

    The photosensitivity range is from 100 to 6400 units, and in extended mode the range from 50 to 25600 ISO becomes available. At the same time, the matrix makes little noise - values ​​up to 6400 can be considered working. If you shoot in RAW with subsequent competent development, then 12800 is quite usable not only for the web, but also for printing in small sizes. Falling parts and colored noise cease to be noticeable even from a distance of one meter.

    For printing from a device in A4 format, oddly enough, almost all values ​​are suitable. Up to 6400 ISO receive prints High Quality You can at least from Jpeg, but after that you still have to switch to RAW. 12800, after proper development, still shows some colored noise, but at arm's length, and even more so on the wall, it is difficult to see. But 25600 is not worth printing even from RAW larger than A5. Here you can already see the loss of detail on small textures and noise creeping in.

    The rate of fire of the device is high – 6 fps in full resolution in RAW. The buffer is enough for a series of 15 frames, then the camera will shoot endlessly with a frame rate of almost 1 fps. With JPEG you practically don’t have to worry about the buffer – more than 30 frames will be enough in 99% of cases. Measurements were made with a fast memory card (review). With slower cards, the results may differ for the worse.

    There is also quiet shooting at 3 fps. True, the volume here is an exclusively comparative parameter, but you will clearly attract much less attention.

    The dynamic range deserves special praise - lights and shadows are processed correctly and correctly, but if the need arises, you can safely enable the D-Lighting or HDR extension. High Dynamic Range does not work with RAW or even in RAW+JPEG mode. To activate it, you will always have to switch to JPEG.

    Autofocus

    The autofocus system is inherited from the D7000. And I must say that she is cool. These are 39 points, of which 9 are cross points. But there is also a minus - the main array is concentrated in the central part of the frame. This means that aiming at the extreme point will be somewhat problematic, as well as aiming at the shallow one in the center of the frame. Personally, this was no problem for me - I focused, locked, moved the camera a little and got a good result. In general, the automatic focusing system works very correctly - quickly, tenaciously, accurately.

    These definitely include the Time Lapse Motion shooting function, or time-lapse video, as you please. If earlier, to obtain such an effect it was necessary to spend a lot of time and effort, now we simply select the required item, interval and shooting time in the menu. Click “OK” – and we get the finished video in *.mov format. Everything else is not something supernatural - expanding the dynamic range, bracketing. That's all, we saw this in previous models.

    Video capabilities

    They are at their best here. FullHD up to 30 fps, high bitrate, flexible sound settings, microphone and headphone connections. But here, as almost everywhere else with Nikon, a minor and annoying bug appears. Well, why the hell am I, buying a carcass for two grand bucks, but I can’t change the aperture value when shooting video in Live View mode? At the same time, there are no problems with this in the older D800. I'm simply shocked that the company that was the first in the world to implement video recording in DSLRs behaves like this.

    Nikon D610 vs. Nikon D600

    • 6 fps versus 5.5 fps;
    • the new model now features quiet continuous shooting;
    • Fixed some bugs with color correction and white balance;
    • From now on, in new models there are no problems with the shutter/mirror unit and no oil stains on the matrix. And in the predecessor this sometimes happened.

    Fine

    • excellent low noise sensor;
    • Wide dynamic range in standard mode;
    • bright and rich display;
    • good level of video quality;
    • variety of ports;
    • dust and moisture protection;
    • adequate work in low temperature conditions;
    • fast and tenacious focusing;
    • viewfinder with 100% field coverage;
    • availability of time-lapse photography;
    • many functions for correcting lens defects;
    • slot for two SD memory cards.

    Badly

    • minimum shutter speed 1/4000;
    • crowding of dots in the central part of the frame;
    • IT IS IMPOSSIBLE TO CHANGE THE APERTURE IN Live View MODE;
    • not the fastest autofocus in live sighting mode;
    • absence of a histogram on the display when viewing via the display.

    Which glass to take

    It is worth saying that to unlock the full potential of the matrix installed inside the carcass, it is worth planning to purchase good and bright optics. At the same time, in conditions of limited finances, you can easily get by with primes - for example, Nikkor AF-S 50mm F1.8G.

    In full frame conditions, this will be exactly the right fifty-kopeck, universal lens. It’s not for nothing that all film cameras were equipped with just such fixes - they can shoot almost all subjects: from architecture and genre, to portraits and landscapes. And the high aperture allows you to shoot even in poor lighting conditions. At the same time, the photographer will always have the opportunity to switch to DX mode and get 75 mm for shooting large portraits.

    If there are no funds at all, then fifty dollars will be enough for the first time. His review.

    If you have extra funds, you can take it. Its cost is approximately $400, but the aperture is two-thirds higher.

    Nikkor AF-S 85mm F1.8G will be good choice for those who like to take portraits. It's compact enough to carry your camera around every day, does a great job of blurring backgrounds, and produces a soft, beautiful image. But its cost is about 500 conventional units. There is also a version with F1.4 aperture, but whether it’s worth overpaying, decide for yourself, based on the tasks at hand.

    Nikkor AF-S 28mm F1.8G is the same glass that is suitable for shooting architecture or landscapes. Wide angle, beautiful pattern, low level of distortion for $700 is a good choice.

    You can also look at the expensive one - one of the best wide-angles ever created. . Let it be darker, but it will give a better picture. But considering the $2,000 price tag, it's worth thinking twice about whether you need it.

    - This is a standard fast lens for every day. Sharp, fast, beautiful, heavy, it will allow you to shoot all kinds of scenes, getting good results. It costs a lot - 1600 bucks. .

    Nikkor AF-S 70-200mm F2.8G VR II is a light telezoom for reporters. The built-in stub minimizes smears, there are practically no defects observed, and the price of 2100 conventional units makes you lick your lips. But keep in mind that it’s worth buying such a huge thing for professional work– when I came to the club with him, they asked me to confirm my journalist’s accreditation.

    Alternative

    In fact, the only alternative and competitor. The price category is about the same, and even a little cheaper. Its cost now in the vastness of Ukraine starts at $1,500. The carcass is lighter and smaller, the sensor loses slightly in detail nominally. In real conditions, you are unlikely to feel the difference. A matrix from a competitor will make a little less noise in the dark and have the same excellent DD and color rendition. The rate of fire is slightly lower - 4.5 fps versus 6. On board there are only 11 AF points with one cross-shaped one. But the dots are located more evenly across the frame. The viewfinder loses - only 97% coverage.

    Also, the Canon 6D has one memory card slot and no built-in flash. But there are Wi-Fi and GPS modules.

    You can, of course, take the Nikon D600 - it will cost a little cheaper - about 1600 US dollars. But at the same time, you doom yourself to torment over oil on the matrix and damage to the mirror/shutter. And considering the $100 difference with the next generation, I don't think it's worth it.

    Summary

    I am sure that the Nikon D610, despite a number of small disadvantages, will easily win the love of many photographers. This is the most compact and most affordable full-frame DSLR from manufacturers, which brings to life the best practices: excellent detail, low noise, wide dynamic range.

    And, if you belong to the cohort of Nikonists and can afford such a device, take it. You are unlikely to be disappointed. The camera will allow you to complete the entire range of assigned tasks quickly and efficiently. And considering that the price tag for it now starts at $1,700 on the Ukrainian Internet, this is an excellent upgrade of equipment. Although, if you have a Nikon D600, then it’s definitely not worth upgrading.

    And yes, I hope that the elastic bands will not come off after six months of active use. Otherwise, this is another minus in the manufacturer’s karma.

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